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In his defense, one can only take so much inspiration. He’s not feeling them, and so the listeners can’t feel them as well. The biggest problem is that Chaplin is only singing these songs he’s walking through the motions. This album is overworked it’s too much to take in. The way the songs bleed into each other is exhausting. In “You Are Young,” Chaplin tells the listener that “You’re shielded by the hands of love,” –inspiring, right? The next song, “Silenced By the Night” follows with words like, “You and I, we’re gonna rise again,” and “I’m not scared of this world when you’re here.” It’s supposed to be encouraging and exhilarating and heartening, but the whole time, I just wanted it to stop. In fact, I liked it, but only before I realized that all of the other songs were clones, lacking the creativity behind a really good song. The first song, “You Are Young” isn’t bad. Strangeland is reaching out to touch our hearts, and our hearts, or at least, my heart, doesn’t want it. And for anyone listening for any substance past the sound, you won’t find it here. The message of this album is about as original as a paper towel. The message of the album is clear: live life to the fullest, friendship is powerful, love prevails, blah blah blah. However, the dramatically uplifting music is overshadowed by the repetitive, clichéd lyrics that make Strangeland annoying, generic, and forgettable. And the music is nice-good piano, good bass, good quality sound. Tom Chaplin, the lead singer, is a skilled vocalist-good tone, good control. Strangeland is like childhood regression, taking us back to early Keane, putting the choral arrangements and uplifting songs underneath a magnifying glass.
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Keane hit it on the nail in 2004 with “Somewhere Only We Know,” and even evolved into a Radiohead sound with Perfect Symmetry in 2008. To be fair, Strangeland had a lot a live up to.
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It’s like a dad going in for an awkward hug-thanks, but no thanks. Keane’s new album is the black sheep in the family, out-casted and disappointing.